Английский язык с Крестным Отцом - Илья Франк

The horse inside the stall was, even to Hagen's inexperienced eyes, a beautiful animal. Khartoum's skin was jet black except for a diamond-shaped white patch on his huge forehead. The great brown eyes glinted like golden apples, the black skin over the taut body was silk. Woltz said with childish pride, "The greatest racehorse in the world. I bought him in England last year for six hundred grand. I bet even the Russian Czars never paid that much for a single horse. But I'm not going to race him, I'm going to put him to stud. I'm going to build the greatest racing stable this country has ever known." He stroked the horse's mane and called out softly, "Khartoum, Khartoum." There was real love in his voice and the animal responded. Woltz said to Hagen, "I'm a good horseman, you know, and the first time I ever rode I was fifty years old." He laughed. "Maybe one of my grandmothers in Russia got raped by a Cossack and I got his blood." He tickled Khartoum's belly and said with sincere admiration, "Look at that cock on him. I should have such a cock."

They went back to the mansion to have dinner. It was served by three waiters (официантами) under the command of a butler («под командованием» дворецкого), the table linen (салфетки и скатерти; linen [‘lının] – полотно, холст) and ware (приборы; ware [we∂] – изделия) were all gold thread (золотая нить [θred]) and silver, but Hagen found the food mediocre (нашел посредственной ['mi:dı∂uk∂]). Woltz obviously lived alone, and just as obviously (и точно также очевидно) was not a man who cared about food. Hagen waited until they had both lit up (зажгли; to light up) huge Havana cigars before he asked Woltz, "Does Johnny get it or not?"

"I can't," Woltz said. "I can't put Johnny into that picture even if I wanted to. The contracts are all signed for all the performers (подписаны для всех исполнителей) and the cameras roll (завертятся) next week. There's no way I can swing it («качнуть это» = что-либо в этом изменить)."

Hagen said impatiently, "Mr. Woltz, the big advantage of dealing with a man at the top (большое преимущество того, что имеешь дело с руководителем; advantage [∂d’vα:ntıdG]) is that such an excuse is not valid (как раз то, что такая отговорка недействительна = невозможна; valid ['vælıd] – имеющий силу, правомерный). You can do anything you want to do." He puffed on his cigar (подымил, пустил дым; to puff – дуть порывами /о ветре/; резко выдыхать). "Don't you believe my client can keep his promises?"

Woltz said dryly, "I believe that I'm going to have labor trouble. Goff called me up on that, the son of a bitch, and the way he talked to me you'd never guess (никогда не догадаешься = как будто бы я ему не ...) I pay him a hundred grand a year under the table. And I believe you can get that fag he-man star of mine off heroin (что сможете заставить отказаться от героина эту мою звезду-шестерку, щенка, играющую настоящего мужчину; he-man – настоящий мужчина; fag – младший ученик, оказывающий услуги старшему /в английских школах/; человек, выполняющий тяжелую, нудную работу). But I don't care about that and I can finance my own pictures. Because I hate that bastard Fontane. Tell your boss this is one favor I can't give but that he should try me again on anything else (пусть попробует что-нибудь другое). Anything at all (все что угодно)."

Hagen thought, you sneaky bastard (подлый, хитрый ублюдок; to sneak – подкрадываться; делать что-либо украдкой), then why the hell did you bring me all the way out here (заставил меня тащиться в такую даль)? The producer had something on his mind (что-то на уме). Hagen said coldly, "I don't think you understand the situation. Mr. Corleone is Johnny Fontane's godfather. That is a very close, a very sacred religious relationship (очень тесная = близкая, очень святая связь; sacred [‘seıkrıd] – священный)." Woltz bowed his head in respect at this reference to religion (склонил голову в знак уважения при этом упоминании религии). Hagen went on. "Italians have a little joke, that the world is so hard a man must have two fathers to look after him (чтобы следить, заботиться о нем), and that's why they have godfathers. Since Johnny's father died, Mr. Corleone feels his responsibility even more deeply (чувствет свою ответственность еще более глубоко [rıspons∂’bılıtı]; responsible [rıs’pons∂bl] – ответственный). As for trying you again, Mr. Corleone is much too sensitive (слишком чувствителен = обидчив). He never asks a second favor where he has been refused the first."

Woltz shrugged. "I'm sorry. The answer is still no (все же: «все еще» нет). But since you're here, what will it cost me to have that labor trouble cleared up (сколько мне будет стоить, чтобы уладить: «прояснить» эту профсоюзную проблему; to clear up – прибрать/ся/; прояснить)? In cash (наличными). Right now (прямо сейчас)."

They went back to the mansion to have dinner. It was served by three waiters under the command of a butler, the table linen and ware were all gold thread and silver, but Hagen found the food mediocre. Woltz obviously lived alone, and just as obviously was not a man who cared about food. Hagen waited until they had both lit up huge Havana cigars before he asked Woltz, "Does Johnny get it or not?"

"I can't," Woltz said. "I can't put Johnny into that picture even if I wanted to. The contracts are all signed for all the performers and the cameras roll next week. There's no way I can swing it."

Hagen said impatiently, "Mr. Woltz, the big advantage of dealing with a man at the top is that such an excuse is not valid. You can do anything you want to do." He puffed on his cigar. "Don't you believe my client can keep his promises?"

Woltz said dryly, "I believe that I'm going to have labor trouble. Goff called me up on that, the son of a bitch, and the way he talked to me you'd never guess I pay him a hundred grand a year under the table. And I believe you can get that fag he-man star of mine off heroin. But I don't care about that and I can finance my own pictures. Because I hate that bastard Fontane. Tell your boss this is one favor I can't give but that he should try me again on anything else. Anything at all."

Hagen thought, you sneaky bastard, then why the hell did you bring me all the way out here? The producer had something on his mind. Hagen said coldly, "I don't think you understand the situation. Mr. Corleone is Johnny Fontane's godfather. That is a very close, a very sacred religious relationship." Woltz bowed his head in respect at this reference to religion. Hagen went on. "Italians have a little joke, that the world is so hard a man must have two fathers to look after him, and that's why they have godfathers. Since Johnny's father died, Mr. Corleone feels his responsibility even more deeply. As for trying you again, Mr. Corleone is much too sensitive. He never asks a second favor where he has been refused the first."

Woltz shrugged. "I'm sorry. The answer is still no. But since you're here, what will it cost me to have that labor trouble cleared up? In cash. Right now."

That solved one puzzle for Hagen (это разрешило загадку). Why Woltz was putting in so much time on him when he had already decided (если он уже решил) not to give Johnny the part. And that could not be changed at this meeting. Woltz felt secure (чувствовал себя в безопасности: «уверенно» [si:’kju∂]); he was not afraid of the power of Don Corleone. And certainly Woltz with his national political connections, his acquaintanceship with the FBI chief (знакомство, связи с шефом ФБР; acquaintance [∂'kweınt∂ns] – знакомство), his huge personal fortune and his absolute power in the film industry, could not feel threatened by Don Corleone. To any intelligent man, even to Hagen, it seemed that Woltz had correctly assessed his position (правильно оценил свое положение; to assess [∂‘ses] – определять /сумму налога/; оценивать имущество для обложения налогом). He was impregnable to the Don (неприступен, неуязвим [ım’pregn∂bl]) if he was willing to take the losses (если он был согласен понести убытки) the labor struggle would cost (которые будет стоить профсоюзная борьба). There was only one thing wrong with the whole equation (во всем этом уравнении [ı’kweı∫∂n]). Don Corleone had promised his godson he would get the part and Don Corleone had never, to Hagen's knowledge, broken his word in such matters.

Hagen said quietly, "You are deliberately misunderstanding me (вы нарочно, специально не понимаете, превратно понимаете меня). You are trying to make me an accomplice to extortion (сообщником в вымогательстве; accomplice [∂'komplıs]; to extort [ıks’to:rt] – вымогать /деньги/). Mr. Corleone promises only to speak in your favor (в вашу пользу) on this labor trouble as a matter of friendship (в знак дружбы) in return (взамен) for your speaking in behalf of his client (в пользу, ради его клиента). A friendly exchange of influence (дружеский обмен влиянием), nothing more. But I can see you don't take me seriously. Personally, I think that is a mistake (ошибка)."

Woltz, as if he had been waiting for such a moment, let himself get angry («позволил, дал себе рассердиться»). "I understood perfectly," he said. "That's the Mafia style, isn't it? All olive oil and sweet talk when what you're really doing is making threats. So let me lay it on the line. Johnny Fontane will never get that part and he's perfect for it. It would make him a great star. But he never will be because I hate that pinko punk (ненавижу этого жалкого франта, фраера; pinko – розовый /сленг/; punk – /устар./ проститутка; пассивный гомосексуалист; бродяга, побирающийся с другим, более опытным; никчемный человек) and I'm going to run him out of the movies (собираюсь выдворить его из кино вообще). And I'll tell you why. He ruined one of my most valuable protégés (испортил, загубил одну из самых ценных моих протеже). For five years I had this girl under training, singing, dancing, acting lessons, I spent hundreds of thousands of dollars. I was going to make her a star. I'll be even more frank (откровенен), just to show you that I'm not a hard-hearted man, that it wasn't all dollars and cents. That girl was beautiful and she was the greatest piece of ass («самый великолепный кусок задницы») I've ever had (который у меня когда-либо был) and I've had them all over the world (а они были у меня повсюду, по всему миру). She could suck you out like a water pump (могла высосать тебя не хуже водяного насоса). Then Johnny comes along with that olive-oil voice (заявляется со своим оливковым, масляным голосом) and guinea charm and she runs off (сбегает). She threw it all away just to make me ridiculous (сделать меня смешным, осрамить ; ridiculous [rı’dıkjul∂s] – нелепый, смехотворный, смешной). A man in my position, Mr. Hagen, can't afford to look ridiculous (не может позволить себе [∂'fo:d]). I have to pay Johnny off (пришлось отплатить; рассчитать)."

That solved one puzzle for Hagen. Why Woltz was putting in so much time on him when he had already decided not to give Johnny the part. And that could not be changed at this meeting. Woltz felt secure; he was not afraid of the power of Don Corleone. And certainly Woltz with his national political connections, his acquaintanceship with the FBI chief, his huge personal fortune and his absolute power in the film industry, could not feel threatened by Don Corleone. To any intelligent man, even to Hagen, it seemed that Woltz had correctly assessed his position. He was impregnable to the Don if he was willing to take the losses the labor struggle would cost. There was only one thing wrong with the whole equation. Don Corleone had promised his godson he would get the part and Don Corleone had never, to Hagen's knowledge, broken his word in such matters.

Hagen said quietly, "You are deliberately misunderstanding me. You are trying to make me an accomplice to extortion. Mr. Corleone promises only to speak in your favor on this labor trouble as a matter of friendship in return for your speaking in behalf of his client. A friendly exchange of influence, nothing more. But I can see you don't take me seriously. Personally, I think that is a mistake."

Woltz, as if he had been waiting for such a moment, let himself get angry. "I understood perfectly," he said. "That's the Mafia style, isn't it? All olive oil and sweet talk when what you're really doing is making threats. So let me lay it on the line. Johnny Fontane will never get that part and he's perfect for it. It would make him a great star. But he never will be because I hate that pinko punk and I'm going to run him out of the movies. And I'll tell you why. He ruined one of my most valuable protégés. For five years I had this girl under training, singing, dancing, acting lessons, I spent hundreds of thousands of dollars. I was going to make her a star. I'll be even more frank, just to show you that I'm not a hard-hearted man, that it wasn't all dollars and cents. That girl was beautiful and she was the greatest piece of ass I've ever had and I've had them all over the world. She could suck you out like a water pump. Then Johnny comes along with that olive-oil voice and guinea charm and she runs off. She threw it all away just to make me ridiculous. A man in my position, Mr. Hagen, can't afford to look ridiculous. I have to pay Johnny off."

For the first time, Woltz succeeded in astounding Hagen (удалось удивить; to succeed [s∂k’si:d] – следовать за чем-либо; достигать цели; to astound [∂s'taund] – удивлять, поражать). He found it inconceivable (немыслимым, непостижимым [ınk∂n'si:v∂bl]; to conceive [k∂n'si:v] – постигать) that a grown man of substance (солидный; substance ['sLbst∂ns] – материя; содержание; имущество) would let such trivialities (может позволить таким пустякам, столь тривиальным вещам) affect his judgment (повлиять на свое суждение, решение) in an affair of business, and one of such importance (да еще /в деле/ такой важности). In Hagen's world, the Corleones' world, the physical beauty, the sexual power of women, carried not the slightest weight in worldly matters (не имело: «не несло» ни малейшего веса в мирских делах). It was a private affair, except, of course, in matters of marriage and family disgrace (бесчестья; позора). Hagen decided to make one last try (последнюю попытку).