Век самопознания. Поиски бессознательного в искусстве и науке с начала XX века до наших дней - Эрик Кандель

Brandstätter, C., ed. Vienna 1900: Art, Life and Culture. New York: Vendome Press, 2006.

Braun, E. Carnal Knowledge / In: Modigliani and His Models. London: Royal Academy of Arts, 2006. Pp. 45–63.

Braun, E. Ornament and Evolution: Gustav Klimt and Berta Zuckerkandl / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection. R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007.

Cavanagh, P. The Artist as Neuroscientist // Nature 434 (2005): 301–307.

Clark, D. L. The masturbating Venuses of Raphael, Giorgione, Titian, Ovid, Martial, and Poliziano // Aurora: Journal of the History of Art 6 (2005): 1–14.

Clark, K. What Is a Masterpiece? New York: Thames and Hudson, 1992.

Comini, A. Gustav Klimt. New York: George Braziller, 1975.

Cormack, R., and M. Vassilaki, eds. Byzantium. London: Royal Academy of Arts, 2008.

Dijkstra, B. Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture. New York: Oxford University Press, 1986.

Elsen, A. Drawing and a New Sexual Intimacy: Rodin and Schiele / In: Egon Schiele: Art, Sexuality, and Viennese Modernism. P. Werkner, ed. Palo Alto, CA: The Society for the Promotion of Science and Scholarship, 1994.

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Freedberg, D. The Power of Images. Studies in the History and Theory of Response. Chicago: University of Chicago Press, 1989.

Freud, S. The Interpretation of Dreams. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vols. IV, V. London: Hogarth Press, 1953.

Freud, S. The Infantile Genital Organization (An Interpolation into the Theory of Sexuality). The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. XIX. London: Hogarth Press. Pp. 139–146.

Freud, S. The Dissolution of the Oedipus Complex. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. XIX. London: Hogarth Press. Pp. 171–180.

Goffen, R. Titian’s Women. New Haven and London: Yale University Press, 1997.

Gombrich, E. H. Kokoschka in His Time. Lecture Given at the Tate Gallery on July 2, 1986. London: Tate Gallery Press, 1986.

Greenberg, C. Modernist Painting. Washington, DC: Forum Lectures, 1960.

Gubser, M. Time and history in Alois Riegl’s Theory of Perception // Journal of the History of Ideas 66 (2005): 451–474.

Kemp, W. Introduction / In: Riegl, A. The Group Portraiture of Holland. Los Angeles: Getty Research Institute for the History of Art and the Humanities, 1999.

Kokoschka, O. My Life. New York: Macmillan, 1971.

Lillie, S., and G. Gaugusch Portrait of Adele Bloch-Bauer. New York: Neue Galerie, 1984.

Natter, T. G. Gustav Klimt and the Dialogues of the Hetaerae: Erotic Boundaries in Vienna around 1900 / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection. R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007. Pp. 130–143.

Natter, T. G., and M. Hollein The Naked Truth: Klimt, Schiele, Kokoschka and Other Scandals. New York: Prestel Publishing, 2005.

Price, R., ed. Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection. New York: Neue Galerie, Prestel Publishing, 2007.

Ratliff, F. The influence of contour on contrast: From cave painting to Cambridge psychology // Transactions of the American Philosophical Society 75 (6) 1985: 1–19.

Rice, T. D. Art of the Byzantine Era. London: Thames and Hudson, 1985.

Riegl, A. The Group Portraiture of Holland. Intro. by W. Kemp. Los Angeles: Getty Research Institute for the History of Art and the Humanities, 1999.

Rodin, A. Art. Boston: Small, Maynard, 1912.

Schorske, C. E. Fin-de-Siècle Vienna: Politics and Culture. New York: Vintage Books, 1981.

Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: the vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 1–14.

Utamaru, K. Picture Book: The Laughing Drinker. 2 vols. 1972. British Museum Publications, 1803.

Waissenberger, R., ed. Vienna 1890–1920. New York: Tabard Press, 1984.

Westheimer, R. The Art of Arousal. New York: Artabras, 1993.

Whalen, R. W. Sacred Spring: God and the Birth of Modernism in Fin de Siècle Vienna. Wm B. Eerdmans. Cambridge, 2007.

Whitford, F. Gustav Klimt (World of Art). London: Thames and Hudson, 1990.

Глава 9. Изображение психики в искусстве

Berland, R. The early portraits of Oskar Kokoschka: A narrative of inner life // Image [&] Narrative [e-journal], 2007. См.: http://www.imageandnarrative.be/inarchive/thinking_pictures/

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Calvocoressi, R., and K. S. Calvocoressi Oskar Kokoschka, 1886–1980. New York: Solomon R. Guggenheim Foundation, 1986.

Cernuschi, C. Anatomical Dissection and Religious Identification: A Wittgensteinian Response to Kokoschka’s Alternative Paradigms for Truth in His Self-Portraits Prior to World War I / In: Oskar Kokoschka: Early Portraits from Vienna and Berlin, 1909–1914. T. G. Natter, ed. Köln: Dumont Buchverlag, 2002.

Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siècle Vienna. Plainsboro, NJ: Associated University Press, 2002.

Comenius, J. A. Orbis Sensualium Pictus (1658). Printed for S. Leacroft at the Globe. London: Charing-Cross, 1777.

Comini, A. Toys in Freud’s Attic: Torment and Taboo in the Child and Adolescent. Themes of Vienna’s Image Makers in Picturing Children / In: Construction of Childhood between Rousseau and Freud. M. R. Brown, ed. Aldershot, UK: Ashgate Publishing, 2002.

Cotter, H. Passion of the moment: A triptych of masters // New York Times Art Review, March 3, 2009.

Dvorák, M. Oskar Kokoschka: Das Konzert. Variationen über ein Thema. Reinhold Graf Bethusy Saltzburg, Wien, Galerie Weltz 1988–2.

Freud, L. Exhibition. L’Atelier, Centre Pompidou, Paris. April 2010.

Freud, S. Three Essays on the Theory of Sexuality. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. VII. London: Hogarth Press, 1953. Pp. 125–243.

Gay, P. Freud: A Life for Our Time. New York: W. W. Norton, 1988.

Gombrich, E. H. Gedenkworte für Oskar Kokoschka // Orden pour le mérite für Wissenschaften und Künste, Reden und Gedenkworte 16 (1980): 59–63.

Gombrich, E. H. Kokoschka in His Time. Lecture Given at the Tate Gallery on July 2, 1986. London: Tate Gallery, 1986.

Gombrich, E. H. The Story of Art. London, Phaidon Press, 1995.

Hoffman, D. D. Visual Intelligence: How We Create What We See. New York: W. W. Norton, 1998.

Kallir, J. Who Paid the Piper: The Art of Patronage in Fin-de-Siècle Vienna. New York: Galerie St. Etienne, 2007.

Kokoschka, O. My Life. New York: Macmillan, 1971.

Kramer, H. Viennese Kokoschka: Painter of the Soul, One-Man Movement // New York Observer, April 7, 2002.

Levine, M. A., Marrs, R. E., Henderson, J. R., Knapp, D. A., and M. B. Schneider The electron beam ion trap: A new instrument for atomic physics measurements // Physica Scripta T22 (1988): 157–163.

Natter, T. G., ed. Oskar Kokoschka: Early Portraits from Vienna and Berlin, 1909–1914. Köln: Dumont Buchverlag, 2002.

Natter, T. G., and M. Hollein The Naked Truth: Klimt, Schiele, Kokoschka and Other Scandals. New York: Prestel Publishing, 2005.

Röntgen, W. C. Ueber eine neue Art von Strahlen (Vorläufige Mitteilung) // Sitzungsberichte der Würzburger physikalisch-medizinischen Gesellschaft 9 (1985): 132–141.

Schorske, C. E. Fin-de-Siècle Vienna: Politics and Culture. New York: Vintage Books, 1981.

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Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: The vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 1–17.

Strobl, A., and A. Weidinger Oskar Kokoschka, Works on Paper: The Early Years, 1897–1917. New York: Harry N. Abrams, 1995.

Trummer, T. A Sea Ringed About with Vision: On Cryptocothology and Philosophy of Life in Kokoschka’s Early Portraits / In: Oskar Kokoschka: Early Portraits from Vienna and Berlin, 1909–1914. T. G. Natter, ed. Köln: Dumont Buchverlag, 2002.

Van Gogh, V. The Letters. M. Roskill, ed. London: Atheneum, 1963.

Werner, P. Gestures in Kokoschka’s Early Portraits / In: Oskar Kokoschka: Early Portraits from Vienna and Berlin, 1909–1914. T. G. Natter, ed. Köln: Dumont Buchverlag, 2002.

Zuckerkandl, B. Neues Wiener Journal, April 10, 1927.

Глава 10. Эротика, агрессия и страх в искусстве

Barney, E. Egon Schiele’s Adolescent Nudes within the Context of Fin-de-Siècle Vienna. 2008. См.: www.emilybarney.com/essays.html.

Blackshaw, G. The pathological body: Modernist strategising in Egon Schiele’s self-portraiture // Oxford Art Journal 30 (3) 2007: 377–401.

Brandow-Faller, M. Man, woman, artist? Rethinking the Muse in Vienna 1900 // Austrian History Yearbook 39 (2008): 92–120.

Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siècle Vienna. Plainsboro, NJ: Associated University Press, 2002.

Comini, A. Egon Schiele’s Portraits. Berkeley, CA: University of California Press, 1974.

Cumming, L. A Face to the World: On Self-Portraits. London: Harper Press, 2009.

Danto, A. C. Live flesh // The Nation, January 23, 2006.

Davis, M. The Language of Sex: Egon Schiele’s Painterly Dialogue. 2004. См.: http://www.michellemckdavis.com/.

Elsen, A. Drawing and a New Sexual Intimacy: Rodin and Schiele / In: Egon Schiele: Art, Sexuality, and Viennese Modernism. P. Werkner, ed. Palo Alto, CA: The Society for the Promotion of Science and Scholarship, 1994.

Kallir, J. Egon Schiele: The Complete Works. New York: Harry N. Abrams, 1990, 1998.

Knafo, D. Egon Schiele: A Self in Creation. Plainsboro, NJ: Associated University Press, 1993.

Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: The vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 1–14.

Westheimer, R. The Art of Arousal. New York: Artabras, 1993.

Whitford, F. Egon Schiele. London: Thames and Hudson, 1981.

Глава 11. Открытие “вклада зрителя”

Arnheim, R. Art history and the partial god // Art Bulletin 44 (1962): 75–79.

Arnheim, R. Art and Visual Perception: A Psychology of the Creative Eye. The New Version. Berkeley and Los Angeles: University of California Press, 1974.

Ash, M. G. Gestalt Psychology in German Culture 1890–1967: Holism and the Quest for Objectivity. New York: Oxford University Press, 1998.

Boring E. G. A History of Experimental Psychology. New York: Appleton-Century-Crofts, 1950.

Bostrom, A., Scherf, G., Lambotte, M. C., and M. Potzl-Malikova Franz Xavier Messerschmidt, 1736–1783: From Neoclassicism to Expressionism. Neue Galerie catalog accompanying exhibition of work by Messerschmidt, September 2010 to January 2011. Italy: Officina Libraria, 2010.

Burke, J. The Sphinx on the Table: Sigmund Freud’s Art Collection and the Development of Psychoanalysis. New York: Walker and Co., 2006.

Da Vinci, L. A Treatise on Painting. London: George Bell & Sons, 1897.

Empson, W. Seven Types of Ambiguity. New York: Harcourt Brace, 1930.

Freud, S. Leonardo da Vinci and a Memory of His Childhood. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. XII. Pp. 57–138.

Freud, S. The Moses of Michelangelo. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. XII. Pp. 209–238.

Frith, C. Making Up the Mind: How the Brain Creates Our Mental World. Oxford: Blackwell Publishing, 2007.

Gombrich, E. H. Art and Illusion. A Study in the Psychology of Pictorial Representation. Princeton and Oxford: Princeton University Press, 1960.

Gombrich, E. H. The Image and the Eye: Further Studies in the Psychology of Pictorial Representation. London, Phaidon Press, 1982.

Gombrich, E. H. Reminiscences of Collaboration with Ernst Kris (1900–1957) / In: Tributes: Interpreters of Our Cultural Tradition. Ithaca, NY: Cornell University Press, 1984.

Gombrich, E. H. The Essential Gombrich: Selected Writings on Art and Culture. R. Woodfield, ed. London, Phaidon Press, 1996.

Kris, E., and E. H. Gombrich The Principles of Caricature // British Journal of Medical Psychology 17 (1938): 319–342.

Gombrich, E. H., and E. Kris Caricature. London: King Penguin Books, 1940.