Русские реализмы. Литература и живопись, 1840–1890 - Молли Брансон

2011.

Platt, Brandenberger 2006 – Epic Revisionism: Russian History and Literature as Stalinist Propaganda / ed. by К. M. F. Platt, D. Brandenberger. Madison: University of Wisconsin Press, 2006.

Pope 2000 – Pope R. Two Key Visual Representations in “The Idiot” // Depictions: Slavic Studies in the Narrative and Visual Arts: In Honor of William E. Harkins / ed. by D. Greenfield. Dana Point, CA: Ardis, 2000. P. 44–57.

Praz 1970 – Praz M. Mnemosyne: The Parallel between Literature and the Visual Arts. Princeton, NJ: Princeton University Press, 1970.

Reed 2003 – Reed A. Manet, Flaubert, and the Emergence of Modernism: Blurring Genre Boundaries. New York: Cambridge University Press, 2003.

Reid, Andrew 2010 – Turgenev: Art, Ideology, and Legacy / ed. by R. Reid, J. Andrew. Amsterdam: Rodopi, 2010.

Rigolot 1997 – Rigolot F. Ekphrasis and the Fantastic: Genesis of an Aberration II Comparative Literature. 1997. Vol. 49. N 2. P. 97–112.

Rigolot 1999 – Rigolot F. The Rhetoric of Presence: Art, Literature, and Illusion II The Cambridge History of Literary Criticism. Vol. 3. The Renaissance I ed. by G. P. Norton. Cambridge: Cambridge University Press, 1999. P. 161–167.

Ripp 1980 – Ripp V. Turgenevs Russia from “Notes of a Hunter” to “Fathers and Sons” Ithaca, NY: Cornell University Press, 1980.

Robin 1992 – Robin R. Socialist Realism: An Impossible Aesthetic / transl. by C. Porter. Stanford, CA: Stanford University Press, 1992.

Samuels 2004 – Samuels M. The Spectacular Past: Popular History and the Novel in Nineteenth-Century France. Ithaca, NY: Cornell University Press, 2004.

Schwartz 1998 – Schwartz V. R. Spectacular Realities: Early Mass Culture in Fin-de-Siecle Paris. Berkeley: University of California Press, 1998.

Scott 1996 – Scott G. F. Shelley, Medusa, and the Perils of Ekphrasis // The Romantic Imagination: Literature and Art in England and Germany I ed. by F. Burwick and J. Klein. Amsterdam: Rodopi, 1996. P. 315–332.

Sedlmayr 2003 – Sedlmayr H. Bruegel’s Macchia // The Vienna School Reader: Politics and Art Historical Method in the 1930s / ed. by C. S. Wood. New York: Zone, 2003. P. 323–378.

Seifrid 1998 – Seifrid T. Gazing on Life’s Page: Perspectival Vision in Tolstoy 11 Publications of the Modern Language Association of America. 1998. Vol. 113. N 3. P. 436–448.

Seznec 1972 – Seznec J. Art and Literature: A Plea for Humility // New Literary History. 1972. Vol. 3. N 3. P. 569–574.

Shcherbenok 2010 – Shcherbenok A. “Killing Realism”: Insight and Meaning in Anton Chekhov// Slavic and East European Journal. 2010. Vol. 54. N 2. P. 297–316.

Sieburth 1984 – Sieburth R. Same Difference: The French Physiologies, 1840–1842 II Notebooks in Cultural Analysis: An Annual Review I ed. by N. F. Cantor. Durham, NC: Duke University Press, 1984. P. 163–200.

Silbajoris 1984 – Silbajoris R. Images and Structures in Turgenev’s Sportman’s Notebook II Slavic and East European Journal. 1984. Vol. 28. N 2. P. 180–191.

Silver 1983 – Silver L. Step-Sister of the Muses: Painting as Liberal Art and Sister Art // Articulate Images: The Sister Arts from Hogarth to Tennyson I ed. by R. Wendorf. Minneapolis: University of Minnesota Press, 1983. P. 36–69.

Skakov 2009 – Skakov N. Dostoevsky’s Christ and Silence at the Margins of “The Idiot” // Dostoevsky Studies, new series. 2009. Vol. 13. P. 121–140.

Smith 1995 – Smith M. Literary Realism and the Ekphrastic Tradition. University Park, PA: Pennsylvania State University Press, 1995.

Spektor 2013 – Spektor A. From Violence to Silence: Vicissitudes of Reading (in) «The Idiot» // Slavic Review. Fall 2013. Vol. 72. N 3. P. 552–572.

Steiner 1982 – Steiner W. The Colors of Rhetoric: Problems in the Relation between Modern Literature and Painting. Chicago: University of Chicago Press, 1982.

Steiner 2011 – Steiner E. Pursuing Independence: Kramskoi and the Peredvizhniki vs. the Academy of Arts // Russian Review. 2011. Vol. 70. N 2. P. 252–271.

Stendhal 2004 – Stendhal, The Red and the Black: A Chronicle of 1830 I transl. by Burton Raffel. New York: Modern Library, 2004.

Stemberger 1977 – Stemberger D. Panorama of the Nineteenth Century/ transl. by J. Neugroschel. New York: Urizen, 1977.

Summers 2003 – Summers D. Real Spaces: World Art History and the Rise of Western Modernism. London: Phaidon, 2003.

Tapp 2007 – Tapp A. Moving Stories: (E)motion and Narrative in Anna Karenina // Russian Literature. 2007. Vol. 61. N 3. P. 341–361.

Taruskin 1970 – Taruskin R. Realism as Practiced and Preached: The Russian Opera Dialogue // Music Quarterly. 1970. Vol. 56. N 3. P. 431–454.

Taruskin 1981 – Taruskin R. Opera and Drama in Russia as Preached and Practiced in the 1860s. Ann Arbor, MI: UMI Research Press, 1981.

Tate 1943 – Tate A. Dostoevsky’s Hovering Fly: A Causerie on the Imagination and the Actual World // Sewanee Review. 1943. Vol. 51. N 3. P. 353–369.

Terras 1970 – Terras V. Turgenev’s Aesthetic and Western Realism // Comparative Literature. 1970. Vol. 22. N 1. P. 19–35.

Thomas 2004 – Thomas J. Pictorial Victorians: The Inscription of Values in Word and Image. Athens: Ohio University Press, 2004.

Thomas 2010 – Thomas S. Ekphrasis and Terror: Shelley, Medusa, and the Phantasmagoria H Illustrations, Optics, and Objects in Nineteenth-Century Literary and Visual Culture I ed. by L. Cale, P. di Bello. New York: Palgrave Macmillan, 2010. P. 25–43.

Thrailkill 2007 – Thrailkill J. F. Affecting Fictions: Mind, Body, and Emotion in American Literary Realism. Cambridge, MA: Harvard University Press, 2007.

Tooke 2000 – Tooke A. Flaubert and the Pictorial Arts: From Image to Text. Oxford: Oxford University Press, 2000.

Torgovnick 1985 – Torgovnick M. The Visual Arts, Pictorialism, and the Novel: James, Lawrence, and Woolf. Princeton, NJ: Princeton University Press, 1985.

Valentino 1996 – Valentino R. S. A Wolf in Arkadia: Generic Fields, Generic Counterstatement, and the Resources of Pastoral in Fathers and Sons II Russian Review. 1996. Vol. 55. N 3. P. 475–493.

Valkenier 1975 – Valkenier E. K. The Peredvizhniki and the Spirit of the 1860s II Russian Review. 1975. Vol. 34. N 3. P. 247–265.

Valkenier 1977 – Valkenier E. K. Russian Realist Art: The State and Society; The Peredvizhniki and Their Tradition. Ann Arbor, MI: Ardis, 1977.

Valkenier 1978 – Valkenier