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Parton 1993 – Parton A. Mikhail Larionov and the Russian Avant-Garde.
Princeton, NJ: Princeton University Press, 1993.
Peterson 1969 – Peterson D. E. Mayakovsky and Whitman: The Icon and the Mosaic // Slavic Review. 1969. Vol. 28, № 3 (September). P. 416–425.
Petrie 1993 – Petrie V. Constructivism in Film. Cambridge: Cambridge University Press, 1993.
Petrie 1993a – Petrie V. A Subtextual Reading of Kuleshovs Satire “The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks” // Inside Soviet Film Satire: Laughter with a Lash / ed. by Andrew Horton. New York: Cambridge University Press, 1993. P. 65–74.
Povelikhina 1977 – Povelikhina A. Matyushins Spatial System // The Isms of Art in Russia, 1907–1930. An exhibition catalog. Cologne: Galeria Gmur-zynska, 1977. P. 27–41.
Rabinbach 1990 – Rabinbach A. The Human Motor: Energy, Fatigue, and the Origins of Modernity. New York: Basic Books, 1990.
Reeves 1999 – Reeves N. The Power of Film Propaganda: Myth or Reality? London: Cassel, 1999.
Riasanovsky 2000 – Riasanovsky N. V. A History of Russia. 6th ed. New York: Oxford University Press, 2000.
Richter 1965 – Richter H. My Experience with Movement in Painting and in Film II The Nature and Art of Motion / ed. by Gyorgy Kepes. New York: George Braziller, 1965.
Rosenblum 2001 – Rosenblum R. Cubism and Twentieth-Century Art. New York: Harry N. Abrams, 2001.
Rosenthal 1994 – Rosenthal B. G. (ed.) Nietzsche and Soviet Culture: Ally and Adversary. Cambridge: Cambridge University Press, 1994.
Rowell 1978 —Rowell M. Vladimir Tatlin: Form/Faktura // October. 1978. № 7 (Winter).
Ruskin 1903–1912 – Ruskin J. The Works of John Ruskin I ed. by E. T. Cook and A. Wedderburn. Vol. 20. London: George Allen, 1903–1912.
Russell 1981 – Russell R. Valentin Kataev. Boston: Twayne, 1981.
Ryan, Thomas 2003 – Ryan J., Thomas A. Cultures of Forgeries: Making Nations, Making Selves. New York: Routledge, 2003.
Salt 1992 – Salt B. Film Style and Technology: History and Analysis. London: Starword, 1992.
Sarabyanov, Adaskina 1990 – Sarabyanov D., Adaskina N. Liubov Popova I transl. by Marian Schwartz. New York: Harry N. Abrams, 1990.
Sauter 2007 – Sauter M. J. Clockwatchers and Stargazers: Time Discipline in Early Modern Berlin // American Historical Review. 2007. Vol. 112, № 3 (June). P. 685–709.
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Schivelbusch 1979 – Schivelbusch W. The Railway Journey / transl. by Anselm Hollo. New York: Urizen Books, 1979.
Sharp 2006 – Sharp J. Russian Modernism between East and West: Natal’ia Goncharova and the Moscow Avant-Garde. New York: Cambridge University Press, 2006.
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Simmel 2002 – Simmel G. The Metropolis and Mental Life // Cultural Sociology I ed. by Lyn Spillman. Oxford: Blackwell, 2002. P. 28–38.
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Taylor, Christie 1988 – Taylor R., Christie I. (eds.) The Film Factory. London: Routledge; Kegan Paul, 1988.
Taylor, Christie 1991 – Taylor R., Christie I. (eds.) Inside the Film Factory. London: Routledge, 1991.
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Tupitsyn 2002 – Tupitsyn M. Malevich and Film. New Haven, CT: Yale University Press, 2002.
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Widdis 2003 – Widdis E. Visions of a New Land: Soviet Film from the Revolution to the Second World War. New Haven, CT: Yale University Press, 2003.
Youngblood 1991 – Youngblood D. Soviet Cinema in the Silent Era, 1918–1935. Austin: University of Texas Press, 1991.
Youngblood 1992 – Youngblood D. Americanitis: The Amerikanshchina in Soviet Cinema 11 Journal of Popular Film and Television. 1992. Vol. 19, № 4. P. 148–156.
Youngblood 1999 – Youngblood D. The Magic Mirror: Moviemaking in Russia, 1908–1918. Madison: University of Wisconsin Press, 1999.
Zhadova 1988 – Zhadova L. (ed.) Tatlin. London: Thames and Hudson, 1988.
Примечания
1
Слова Маяковского были процитированы в газетной заметке В. Нежданова «Футуристы» (Трудовая неделя (Николаев). 1914. № 1419. 26 января. С. 3). Перепечатана в [Маяковский 1955, 1:453–454].
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