Oscar and Lucinda - Peter Carey

47

Oscar and Lucinda

brought his voice to her: he was praying, loudly, on the beach.

The last time she had seen this hysteria was when the boy's mother passed on. On that occasion she had tried to calm him. On this occasion she went to bed.

The Vicarage Kitchen

It was true that Lucy Millar did not like her kitchen. It was not a kitchen at all. It was a large pantry into which some previous vicar had moved the stove and sink and, presumably because there was no room to do otherwise, had left behind all the shelves, cupboards and tables which make a kitchen a proper place to be. It was not that the Strattons had not been apologetic. They had, on the day she arrived (with all her references tied up with ribbon), drawn it to her attention. Mrs Millar had been charmed by Mrs Stratton who gave all the appearances of being a firm and practical woman. She could remember her now, her indignant, "Look at this!" when she poked a large finger at the tattered bellows, or tried-she had to give up-to open a minuscule window to the gloomy north. She begged Lucy to imagine how splendid the other, original kitchen would have been before some interfering clergyman had wasted good money squeezing the stove and scullery into the pantry.

Mrs Stratton acted as though none of this was her responsibility. She commiserated with Lucy for having to spend a lovely summer inside a "dreadful pantry." She paid her only sixpence the week and sometimes, although Lucy had four children and two old parents to keep out of the workhouse, only threepence or fourpence, depending on what was available. Lucy was cross enough to spit in the soup.

She was always cross. She was walking here across the Downs at five in the morning or halfwalking, half-running home again at eight at night. She could not count the reasons she might have to be cross.

48

The Vicarage Kitchen

There were a hundred inside the kitchen itself, and she made her family tense and unhappy by listing them. It was a litany they had come to dread. They bowed their heads and ate their soup. Today she was even crosser than usual. They had brought that silly Theo-dogus, Theo-whatshis, to sit at her table and they knew-or Mrs Stratton did-or should if she didn't-that this ruined her entire method of working. Because the other room, the old pantry, was so small, she always tried to do as much work as possible at the big table in the original kitchen. She had two tubs in which she washed dishes, and she would prepare all her ingredients in advance, all these little bowls and chipped cups set out across the table-an egg yolk in one, chopped chives in another, the chopped meat soaking in a herby sauce which took the smell out of it, and so on and so forth. She liked this big room. It was as generous as the other was mean. Alone in all the house it was dry. It had a window to the south which often took the brunt of storms in winter but through which you could see-she kept the privet trimmed herself to allow it-calm blue water, and a touch of the red cliff that gave Hennacombe its name.

But then Theo-holius had sat himself down and ruined her day. The place for such visitors was in the book-musty room she called the pigsty (although in public she said "drawing room" like everybody else). He did not belong here.

"Are you saved?" he asked her, first off, no introduction. She told him to mind himself. She had a leg of lamb she wished to bone. But there would be no hot-pot if this man with staring eyes did not eat and go. She went into the so-called kitchen and made dough for the scones. This was not for the lunch, but the tea Mrs Stratton liked to give for the Old Men (although the Squire looked after them anyway and Mrs Stratton had no business to give away what she could not afford). She needed the big table to make the scones, but Theophilus had the table so she tried to make do in the pantry, using the back of the wooden breakfast tray. She balanced it on the top of a stool and had to kneel to roll the dough across it. But the tray slipped and the dough fell. She said nothing out loud. She scraped the dough off the floor and carried it to the little window to examine it. She was a thin, nervous woman with dark sunken eyes and brisk movements, but she was, while she examined the dough, very still. She was thinking, weighing up, knowing the fuss that would be made if they found her dough in the bucket for the hens. She pushed the dough together and sat it on the tray. Then she went to the doorway where she surveyed the mournful man. He did not see her. As she watched, he sighed.

49

Oscar and Lucinda

She was too cross to be sympathetic. She could see the shadow of Mrs Stratton as it moved across the other side of the little kitchen window. The glass was of a rather poor quality, opaque and filled with bubbles, but Mrs Millar knew Mrs Stratton was waiting for her scones. She sprinkled the dough with flour, kneaded it, and soon the cinders from the floor were hidden. But still she did not like to make her scones from it. She left it to stand, in limbo. She took the leg of lamb from the meat-safe. It had turned a little green, but she had seen worse meat in this household. She took her best Sheffield, a lovely knife she had brought with her to the job-and just as well, too-and sharpened it. She set the dough aside and washed the tray and, once again, balanced it on the stool. Then she took the leg of lamb and rested it on the tray. She did not approve of using the tray for cutting meat, but she had no choice. She knelt and began cutting. It was such a lovely knife, and very sharp. She laid open the leg to the bone, taking pleasure in her skill, and the noise, in which she could hear the faintest tearing, even though the cut was razor sharp.

It was then that she heard the Evangelical groaning, the sort of noise a sick man might make in his sleep, but not, please God, when he was awake, at her table. She listened for a minute or two, her head on one side, like one of the Rhode Island Reds which would not-she had definitely decided-eat the scone dough. Then she laid the leg of lamb down, placed the knife carefully beside it, stood, and went to look.

She had seen him before, of course, but she had never-odd as this may seem, given that he lived so close and that they both used the same lane every day-ever seen him so close. He was a queer one all right, as you might expect of someone who did not hold with dancing. He was hard and wiry with ebony eyes. He sat bolt upright, his eyes clenched shut so tight it made his top lip twist up beneath his nose. He was rubbing his hands together as if they were fighting each other, as if the right hand wished to snap the wrist of the left. His lips, as she watched, began to move. The lips did not belong with all this rigidity. They were thick and red and passionate. It embarrassed her to look at them.

She made a noise, quite loud enough to hear. It indicated her disgust. If he heard it, she did not notice. She turned her back, and, having considered her scone dough again, went back to work on the lamb. It was so unfair. She could hardly bear the unfairness of it, that she must kneel here, with her knees hurting while he had all that table to himself. He thought himself humble for doing so. She had heard his big important voice. 'The kitchen will do well enough." 50

The Vicarage Kitchen

She resumed her work on the lamb. Then, because she was angry and the light was poor, and because she had to balance the lamb without putting pressure on the tray, she cut deeply into the cuticle of her index finger. There was a quick blooming of Turkish Red, a perfect circle which quickly ran to seed. It left great hot splashes across the tray and on her apron.

"Damn God," she said loudly, spitefully.

The noise in the other room stopped, and when she went in there to find a bandage, she noted that he was watching her with interest.

"So," he said. It was a deep voice, the thing people normally mentioned about him first. But she had heard the voice already and was not surprised by it. It was the note it struck that shocked herbright, triumphant, quite out of keeping with the anguished hands.

"So, Cook, you have cut yourself."

She did not understand this triumph, because she did not share his belief, i.e., if you were sick or injured, if you broke a leg, for instance, it was to punish you for sin. He had heard the Damn God and seen the cut, but he had the order of events quite wrong and thought the cause was the effect and vice versa.

She tore some strips of linen to make a bandage. She did this on the table and although she did not apologize for doing so, her heart beat very fast indeed. She could hear Mrs Stratton fussing with the umbrella stand in the passage, straightening up the sticks and umbrellas for no reason other than that she was waiting for her scones.

Mrs Millar brought the leg of lamb to the big table. She was bright with defiance. She placed it at the other end of the table from Theophilus but she did not look at him. She worked with her head bowed, standing up. She was occupied in this when the son arrived. She had seen him before last night, quite often, from her window. He was not like any other boy in Hennacombe. She thought him like a girl with the manner of a grown man. She had often heard him in the lane way singing hymns and she had no great opinion of his voice.

Mrs Stratton came bursting in straight afterwards. She had been interfering with the poultry. She was carrying a bowl of eggs and probably had the one from the broody hen. She would be better off building a proper roost and providing shelter from the wind-driven rain. Mrs Stratton put the eggs on the table and winked at Mrs Millar who, whilst pleased enough by the wink and even more pleased not to be sent into the pantry, suffered another wave of irritation. She sighed, and closed her eyes. She could not put off the scones any more.

"Papa," she heard the boy say. The voice swept from tenor to alto. 51

Oscar and Lucinda

He was at that age. She sprinkled flour across the table and began to roll dough. She was well aware that the flour was sprinkled on what could be regarded as her guest's territory. She felt specks of cmders in the dough, felt them through the wooden roller. She wondered what such peculiar people would say to one another.

16

Job and Judas

Everything about his papa was so familiar and sweet that he briefly forgot the circumstances that brought him there, only that he was there. His strongest desire was to rush and embrace him, to push his face against the rough blue serge which could contain the faintest odour of formaldehyde or, if decorum would not permit this, then at least hold those two strong hands which were always marked with some scab or cut from his work with rocks and sea. He felt he had been mad, infatuated with something not quite wholesome. He wanted to be somewhere good and dry and in that moment, at the kitchen door, the two qualities seemed synonymous.

He saw his father stand. He heard the chair pushed back. He registered the interest of the servant. He thought his papa about to take the matter out of his hands, that he would simply open his arms-the good shepherd, the father of the prodigal son-and sweep him to his bosom, press him into the good honest cotton of his shirt, bid him come home, away from all these musty smells to the lovely ascetic odour of floor polish, the smell most readily associated, in Oscar's mind, with sanctity.

And his father did embrace him. But he held him out, and away, in a tight grip that vibrated with a passion Oscar could not correctly read. It felt as if his father were moved more by love than anger, and yet he also wished to act sternly. Oscar imagined it was because of the servant. He was embarrassed that a stranger be a witness to this

52

Job and Judas

interview. His papa obviously felt the same. They both looked expectantly at the servant. The servant picked up her knife and the bloodred bone scraps and left the room. But in a moment, before father and son could be seated, she was back again with a scrubbing brush. When the scrubbing was done, they imagined themselves free of her. But no, she was back, dusting another corner of the table with flour. She began to roll out dough, with no show either of apology or hurry. Then Mrs Stratton burst in carrying eggs and saying Mrs Millar would make them breakfast. But Mrs Millar, it appeared, was insolent and would not do as she was bid. They were painful with each other, aware that they must bare themselves before strangers. On any less fraught occasion they would have walked out into the garden, or down along a lane, but the father had lost his normal sense of authority and the boy was just lost and waiting to be led. There were two places set. Oscar's was marked with a white napkin and a silver ring. The ostentation of the silver ring would be offensive to the father. Oscar saw this and was ashamed. He was a Judas. His alphas and deltas had no weight in the face of this. He would be kissed, even forgiven, but he was Judas. When he was back in his own home, his happiness would be marred for ever. He would never be asked to read the lesson to the Brethren. "I have prayed for you," his papa said.

Oscar looked at him, and then down. He was ashamed of what he had done to his father's eyesyellow whites, red veins, a red contusion in the corner of the left eye. He had caused this torture. There was a cut on the forehead, sand glued to his beard in two places. Lucy Millar cut the scones into squares although she knew Mrs Stratton liked them stamped out round, but there was no time for Oxford tricks today. The Holy Hypocrite was whispering to his son. He held him oddly, by the finger, and leaned across the corner of the table. The boy should wipe his nose. She looked away.

"You are travelling down the tide of time," his papa said. The voice was tangled, all wound around on itself like toffee. To Oscar's ear, this voice was a thing that had lost its bones. It was soft and floppy, without conviction.

But when Lucy Millar heard Theophilus speak, she felt a strange feeling, not unpleasant, at the back of her neck. She greased the tray.

"And you have chosen-or so Mr Stratton has, last night, informed me-to throw away the chart your Lord has revealed to you. What a dreadful thing it will be when Our Lord says, on 53

Oscar and Lucinda the Last Day, 'Come, ye Blessed/ and says it not to you." Mrs Millar goose-pimpled all over.

Oscar was embarrassed by his father's lost authonty. He wanted to free his finger from his grasp but did not know how.

"It is not as if you have been tempted, and given in to temptation," Theophilus said. Oscar did not listen to the words. It was the tone he heard. He thought: He is in error, and he knows! He felt pity, but also anger.

"It is not a weakness of your flesh," Theophilus said. "A weakness of the flesh is soon conquered. Itxis an arrogance of spirit. You must listen to the voice of God." His son had a smudged red mouth and green eyes that looked at him as though he were a stranger. He could not bear this lack of love. He rubbed his beard. Sand fell on the table. He brushed the sand on to the floor. He thought: Oh Lord, how have I offended Thee?

"I have listened to the voice of God, Papa."

He was frail-boned like a girl, thought Mrs Millar, and tangle-footed. His voice squeaked and farted and had no authority. His face showed his feelings like a pond that wrinkles in the slightest breeze. And yet, bless me, he could be a magistrate. She picked up the tray of scones and rushed them to the oven.