Подражание и отражение. Портретная гравюра в России второй половины XVIII века - Залина Валерьевна Тетермазова

Е. С. Медальерное искусство в России XVIII в. Л., 1962.

Щукина Е. С. Два века русской медали: Медальерное искусство в России. 1700–1917. М., 2000.

Эмблемы и символы / Вступ. статья и коммент. А. Е. Махова. М., 1995.

Эрнст С. Р. Рисунки русских художников в собрании Е. Г. Швартца // Старые годы. 1914, октябрь — декабрь. С. 24–56.

Ямпольский М. Что отражает зеркало // Декоративное искусство. 1987. № 5.

Янчук Н. А. Знаменитый зодчий В. А. Баженов и его отношение к масонству // Журнал министерства народного просвещения. Пг., 1916. № 12. С. 167–238.

Яремич С. П. Художества в период президентства И. И. Бецкого (1763–1793 гг.) // Русская академическая художественная школа в XVIII веке / Известия Государственной Академия истории материальной культуры. Вып. 123. М.; Л., 1934. С. 99–206.

Adhemar J. La gravure originale au XVIIIe siècle. Paris, 1963.

Altered and Adorned: Using Renaissance Prints in Daily Life / Ed. by S. K. Schmidt, K. Nichols. Chicago; New Heaven; London, 2011.

Archer M. Company Paintings: Indian Paintings of the British Period. London, 1992.

Bartolozzi and other stipple engravers working in England at the end of the XVIII-th century / Ed. by A. M. Hind. London, 1912.

Beraldi H. Les graveurs du XIXe siècle: guide de l’amateur d’estampes moderns. V. 1. Paris, 1885.

Bilder nach Bildern. Druckgraphik und die Vermittlung von Kunst. Münster, 1976.

Blakesley P. R. The Russian Canvas. Painting in Imperial Russia, 1757–1881. New Haven; London, 2016.

Braida A., Pieri G. Image and Word. Reflections of Art and Literature from the Middle Ages to the Present. Oxford, 2003.

Bryson N. Word and Image: French Painting of the Ancien Régime. Cambridge, 1981.

Choffard P.‐Ph. Notice historique sur l’art de la gravure en France. Paris, 1804.

Clayton T. The English Print. 1688–1802. New Haven; London, 1997.

Courboin F. Ľestampe française. Graveurs et marchands. Bruxelles; Paris, 1914.

Davis Ch. Art and Literature in Spain, 1600–1800: Studies in Honour of Nigel Glendinning. London, 1994.

Déan Ph. Diderot devant l’image. Paris, 2000.

Delineavit et sculpsit, mélanges offerts à Marie-Félicie Perez-Pivot / Ed. F. Fossier. Lyons, 2003.

Diderot В. Œuvres completes. Т. XVI. P., 1990.

Engraved in the Memory: James Walker, Engraver to the Empress Catherine the Great, and his Russian Anecdotes / Ed. A. G. Cross. Oxford; Providence, 1993.

Farrington J. Memoirs of the Life of Sir Joshua Reynolds; with some observations on his talents and character. London, 1819.

Fox C. The engravers’ battle for recognition in early nineteenth-century London // London Journal. 1976. II. P. 3–31.

Frankau J. Eighteenth Century Colour Prints: an Essay on Certain Stipple Engravers and Their Work in Colour. London; New York, 1900.

Fried M. Absorption and Theatricality: Painting and Beholder in the Age of Diderot. Chicago; London, 1980.

Fripp J. L. Portraiture and Friendship in Enlightenment France. University of Delaware Press, 2020.

Griffiths А. The Print Before Photography: An Introduction to European Printmaking 1550–1820. London, 2016.

Grimm C. The Book of Picture Frames. New York, 1981.

Harris C. Portraiture in prints. London, 1987.

Helke G.‐D. Johann Esaias Nilson (1721–1788). Augsburger Miniaturmaler, Kupferstecher, Verleger und Kunstakademiedirektor. München, 2005.

History Review, special issue, Size Matters: Scales and Spaces in Transnational and Comparative History / Guest ed. B. Struck, K. Ferris, J. Revel. Vol. 33. № 4. 2011.

Internationalism and the Arts in Britain and Europe at the Fin de Siècle / Ed. G. Brockington. Oxford, 2009.

Ivins W. M. Prints and Visual Communication. Cambridge, Mass., 1953.

Jacoby L. D. Schmidt’s Werke, oder beschreibendes Verzeichniss sämtlicher Kupferstiche und Radirungen welche der beruhmte Kunstler G. F. Schmidt. Berlin, 1815.

Keymer T., Sabor P. «Pamela» in the Marketplace: Literary Controversy and Print Culture in Eighteenth-Century Britain and Ireland. Cambridge, 2005.

Krogt P. van der. Latin texts on old maps. Elementary Latin grammar and cartographic word lists // The Portolan. Winter 2007. P. 10–26.

Landry J.‐P., Servet P., Laurence R. Le dialogue des arts: literature et peinture du Moyen Âge au XVIIIe siècle. Lyons, 2001.

Lawner L. Harlequin on the Moon: Commedia dell’Arte and the Visual Arts. New York, 1998.

Location, ed. Deborah Cherry and Fintan Cullen. Oxford, 2007.

Marchesano L., Michel Ch. Printing in the Grand Manner: Charles Le Brun and Monumental Prints in the Age of Louis XIV. Los Angeles, 2010.

McAllister J. W. France’s «Académie Royale de Peinture, Sculpture et Gravure» // Print Quarterly. XXV, 2008. P. 283–286.

Michel Ch. ‘Les débats sur la notion de graveur/traducteuren France au XVIII siècle’ // Delineavit et sculpsit, mélanges offerts à Marie-Félicie Perez-Pivot / Ed. F. Fossier. Lyons, 2003. P. 151–161.

Muller F. Essai d’une bibliographie neerlando-russe: Catalogue de livres, atlas, plansches hollandaise et etranges, aux prix marques. Amsterdam, 1859.

Muller G.‐F. Nachrichter zur Geschichte der Academie der Wissenschaften // Материалы для истории Академии наук. Т. VI. СПб., 1890.

Notes historiques sur la gravure et sur les Graveurs // Mercure de France. August 1775. P. 141–142.

Paas J. R. Effigies at Poesis. V. 1–2. Harrasowitz, 1988.

Pointon M. Hanging the Head: Portraiture and Social Formation in Eighteenth-Century England. New Haven, 1993.

Pointon M. Portrayal and the Search for Identity. London, 2013.

Prints in Translation 1450–1750: Image, Materiality, Space. London, 2017.

Pucci S. R. Sites of the Spectator. Emerging Literary and Cultural Practice in Eighteenth-Century France. Oxford, 2001.

Salaman M. Ch. Old English Colour Prints. London; Paris; New York, 1909.

Sillars S. Painting Shakespeare: The Artist as Critic, 1720–1820. Cambridge, 2006.

Smentek K. «An Exact Imitation Acquired at Little Expense»: Marketing Color Prints in Eighteenth-Century France // Colorful Impressions: The Printmaking Revolution in Eighteenth-Century France / Ed. by M. M. Grasselli. Washington, 2003. P. 9–21.

Stijnman A. Engraving and Etching, 1400–2000: a History of the Development of Manual Intaglio Printmaking Processes. London, 2012.

Thomas T. H. French Portrait Engraving of the XVII and XVIII Centuries. London, 1910.

Transculturation in British Art, 1770–1930 / Ed. J. F. Codell. London, 2012.

Vouilloux B. La peinture dans le texte. Paris, 1994.

Waals J. van der. Prints in the Golden Age. From Art to Shelf Paper. Rotterdam: Museum Boijmans van Beuningen, 2006.

Williams H. Académie Royale. A History in Portraits. Place of publication not